I try to adhere pretty strictly to a self-imposed rule that I only post on exhibits I’ve actually attended. I feel I owe it to you, Dear Reader, to actually make the effort to visit a show if I’m going to urge you to do the same (some kind of Marxist theory of art appreciation no doubt). I’ve broken it once, when I was too sick to see a show that I’d been looking forward to, and now extenuating circumstances have again forced my hand. You see, the clock is ticking on a certain exhibit at SFMOMA and it turns out you’re the artist on this one. Not sure if you were aware.
The 1000 Journals Project appears to be a straggler in the museum’s hit or miss The Art of Participation series, which reached dizzying highs with its inclusion of Janet Cardiff’s The Telephone Call but fared less well with some of the online exhibits accessible via terminals in the galleries. This one looks like a lot of fun though: starting out as blank journals, the books have been passed from hand to hand and crisscrossed the globe. On their many stops, additions have been added bit by bit, meaning that whether you’re intending to observe or add your own ideas there’s going to be plenty of inspiration on hand.
The hope of course is that you’ll contribute, so the museum is providing material in just such an eventuality. If you, like me, are still kicking yourself for not getting in line to take part in The Gift, now’s your chance to get even with all those satisfied go-getters. It also seems perfect for those eager to participate but for whom the thought of, say, reenacting a scene from Life Boat on camera makes you want to curl up into a fetal ball.
A word of warning, 1000 Journals has their own dedicated website, but my attempts to visit prompted a Google advisory warning of potential malware like Trojan programs lurking in the background. I’m not going to link to it here: use your own discretion and note that it’s linked on the SFMOMA page. Oh, and congrats on your first show, but get crackin’: 1000 Journals closes on April 5th.