Apocalypto – Interesting Version

Enrique Chagoya has repurposed the bat signal to get the word out: the end is nigh. Instead of projected onto the clouds of the night sky however, Camazotz illuminates the top of several reconfigured one-armed bandit slot machines that form the center piece of the artist’s show 2012: Super-Bato Saves the World at Electric Works through July 2nd.
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Not that the end year of the Mayan calendar should throw us in a tizzy. Change isn’t necessarily a bad thing, and after a few pulls at the machine levers you might just find yourself feeling pretty optimistic about the future. Chagoya has built up a colorful cast of post-mythological characters in a mash-up of American and Mexican secular and sacred iconography, past and present. He even provides a handbook for the perplexed, taking the form of an illegal immigrant’s secret guide and accordioned like a codex, to the strange groups that cluster together north of the border (“Liberals” are fittingly presented as a cartoon ball of whirling kicks and punches, from which the head of Batman emerges with a smirk).
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Armed with your primer to Cabbage Patch-faced Uncle Sams and forewarned about the weird ways Mexicans have been represented in pop culture (one particularly disturbing pulp is referenced in a number of works), you’ll probably resign yourself to the fact that things have been pretty chaotic up ’til now in any case. Once you’ve tackled one border crossing, there are plenty more waiting for all of us on the road up ahead.

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